Final Comic Book Wednesday

Welcome to the final installment of...

Comic Book Wednesday

Issue #33

Yep, you read that right. After this issue, I'll be unable to continue my weekly blog. It's been a blast writing about the books I read here, and I think it's actually increased my enjoyment of those comics. I've been working as a Screenwriting teacher at Five Towns College, and my workload has increased threefold this semester... and I think it's time to focus all of my writing attention on - well, you know, my writing. I'll still write about comics, and I'll even post reviews, but I definitely can't do it on a weekly basis any more.

So alas... let's get to it!

Thankfully, this was a good week. Angel & Faith, TMNT, and JLD all delivered fantastic reads, and even the books that didn't totally impress me weren't quite bad.

Angel & Faith #6

Daddy Issues - Part One

Written by Christos Gage

Art by Rebekah Isaacs

Dark Horse Comics

It makes sense that the best installment of Angel & Faith thus far has the best cover. Steve Morris' cover, featuring a younger Giles emerging from a Russian doll-version of Giles as we know him... it's perfect. It's perfect because it intrigues and mystifies while also accurately representing the inside story. It also functioned to tease the fandom a bit, as it was released before we got a chance to read A&F #4, which many fans thought to be the climax of the "Angel resurrects Giles" arc. However, it wasn't, and Christos Gage is telling that slowburn story over the course of the whole twenty-five issue series. What this cover did was make the fandom wonder if Giles was going to be brought back successfully as Ripper - which is a great idea, but Gage has something else in mind.

Angel, while still obsessed with the idea of bringing Giles back, continues his mission of using Giles' Watcher's Diary as a yellow pages of the supernatural. He goes after a Lophrage demon, a mosquito lookin' mamajama who we're introduced to in a kickass flashback to Giles' time in Watchers Academy. The show, because of obvious age issues, never gave us a look at the teenage, pre-Ripper Giles... but now, in this comic, all those old impossibilities are nothing but memories. Along with the rest of his senior class, Giles has an encounter with this horrifying Lophrage demon, which serves to give Angel a new mission as well as to shed some light on why Giles became Ripper in the first place.

Faith is kept busy, investigating a vampire named Mother Superior. Faith's story is still very tied to Nadira, who is about as fun to read as Rona was to watch in Season Seven, but at least the Slayer Juniors get very little page time here. As Angel brings Faith on board with his Lophrage hunt, it becomes clear quickly that the elusive Mother Superior is involved with the demon in some way. I'm just going to go ahead and spoil the reveal at the end, because... well, anyone who has seen the covers knows, and really - anyone that knows Drusilla knew it would be her as soon as the name "Mother Superior" was mentioned. What other vamp who would warrant a reveal would choose such a name?

The real reveal, though, is that Drusilla is sane. This intrigues me a lot, because the optimist in me thinks that this may be Christos Gage attempting to tie his stories into IDW's work on Angel and Spike, considering Drusilla's sanity (and the fragility of it) was a major, major aspect of Brian Lynch's final Spike arc. On the other hand, I can see Drusilla using the Lophrage demon to steal other people's sanity - but there's enough speculation on the boards. From where I stand, it was the best issue of the series so far. I love how we're playing with the motif of fathers (Angel - Drusilla, Giles - his father, and Faith - her father... who we meet in this issue as well), which solidifies my hope that this series isn't just throwing Angel and Faith together for the hell of it. This series is about something, and I'm very, very engaged.

The most awesome aspect of the book, though, is Rebekah Isaac's artwork. Her characters are the perfect marriage of stylization and capturing likenesses. The action moves nicely, the small character moments really sing, and it has a dark, consistent tone that elevates this book quite a bit. I may like the lightness and the wordplay in the Buffy: Season Nine book slightly better than the story Gage is telling, but Isaacs' art just makes this one the winner. That might be, though, because BtVS:9 is such a vast improvement over BtVS:8, which Angel & Faith has just been really consistently good.

I hope this title continues to grow, but it really has everything right. I hope that the one-shots and the comedic stories are a bit better going forward, but Christos Gage and Rebekah Isaacs knock the arcs out of the park.

Teenage Mutant Ninja Turtles #6

Story by Kevin Eastman and Tom Waltz

Written by Tom Waltz

Art by Dan Duncan

IDW Publishing

I originally tweeted that this was the best of IDW's ongoing Teenage Mutant Ninja Turtles series, but I'm going to amend that... it's the best since the first issue. And don't think I'm trying to turn this issue into Pluto, but I just went back and reread all of the issues, and that first one is really the perfect comic book. This one continues the story in an incredibly exciting way, continuing to blend the original gritty comic with the pizza-celebrating cartoon, creating a book that all generations of fans can embrace.

In this one, shit begins to hit the fan. It's revealed that Baxter Stockman hired Old Hob to bring down the turtles, and this uneasy alliance makes for great reading. It leads to the awesome reveal at the end of the issue which reintroduces the MOUSERS to the TMNT-verse, but the best think about the Hob/Stockman team-up is the humor. My favorite scene in the comic:

HOB: Holy...

STOCKMAN: Impressive, aren't they? We've been developing them as part of a program to locate and destroy I.E.D.s on the battlefield.

HOB: I.E.D.s?

STOCKMAN: Improved Explosive Devices.

HOB: ...

STOCKMAN: A booby trap that goes boom.

HOB: Ah. Gotcha.

All of the plotlines from the previous issues continue here. Casey Jones meets up with April O'Neil, the turtles and Splinter continue to talk about and debate their presumed reincarnation, and the Foot Soldiers brew up some trouble. It's all building toward something big, and I can't wait to see what the ongoing and Brian Lynch's two remaining microseries bring.

Aquaman #5

Lost

Written by Geoff Johns

Pencils by Ivan Reis

DC Comics

I liked this. I liked it a lot better than JL#5. It's about as "written for trade" as JL, but the thing about this book is that it's a hell of a lot stronger than JL, so the overall effect is a bit less damning. It's a quick read, but the narrative device of throwing Aquaman into the desert and then showing us how he got there by alternating from the desert to the past is strong.

The current arc is leading to a major storyline having to do with Atlantis, and I'm very much looking forward to it. I like Aquaman as this likable, badass, overlooked hero. I like that the events of the previous arc are still bothering him. I like that the new mystery is still attached to the events of "The Trench" storyline, giving this book a cohesive "big picture" feel. I like a lot of things about this book and I think that, in good time, I may even love it. This issue doesn't do much to make Aquaman climb to the top of my pull list, but I'm consistently enjoying it.

Justice League Dark #5

In the Dark finale: There Was a Crooked Man

Written by Peter Milligan

Art by Mikel Janin

DC Comics

And the first arc of one of my favorite New 52 books comes to a close. It's a satisfying, if not perfect, ending that leaves me wondering where the hell Milligan's going to take the story. The dark tone that makes this series such a creepy read permeates this issue especially, so there is no happy ending for June Moone... but it's not heart-crushingly dark either. At the end of the issue, our team of characters isn't a team at all. Hell, they don't want to see each other, and I don't blame them. Milligan is cooking up some nastiness for them in each issue, and none of these people are true heroes. They lack the moral fiber of Superman and his kind, but some of them still try to be heroes... which leads them to clash. A lot.

One minor complaint was that Constantine was a bit too much of a jerk here. I know he is no longer the man who wants to save the world that we first ran into in Alan Moore's Swamp Thing, but he's a bit... well, he's sort of like Spike in the finale of the second season of Buffy the Vampire Slayer. For those of you that don't worship at the altar of Whedon, that means that Constantine claims to only be interested in saving the world because he is on the world. The Constantine I've read has lost a lot, but isn't selfish enough that he only values his own safety. Maybe it's just him being a hardass and I'm reading too literally, but that was a bit jarring for me.

The art is perfect. Mikel Janin's work is perfect for this book, and I hope he's in it for the longrun. He is perfect for this book and certainly vice-versa.

I know some folks have lost patience with the slow-boil narrative, but this is one of the most consistently enjoyable books in my pull list. I can't wait to see what fate has in store for these poor bastards next.

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Thanks for reading. I'm going to keep updating this blog, so hang around. I've got a lot more to say.

Comic Book Wednesday #31

Comic Book Wednesday

Issue #31

Here's what I've been reading over the past three weeks. Some good, some great, some not-so-much.

IDW

The Cape #3

Written by Jason Ciaramella

Inspired by the short story "The Cape" by Joe Hill

Art by Zach Howard

This saga of misguided revenge gets even scarier this time around. Ciaramella cuts this tale up with flashbacks of a much more innocent childhood, giving the horrific scenes a harsh dichotomy. The story, while simple, is as riveting as it is batshit crazy (flying dude takes down a plane with a CHAINSAW), and it remains on the top of my pull list. The issue ends with the deranged Eric preparing for a showdown of sorts with his brother Nicky, who just happens to be the primary object of Eric's war on his family. Shit is going down, and I'm pumped to see how they end it all.

Teenage Mutant Ninja Turtles: Microseries #2

Michelangelo

Written by Brian Lynch

Art by Andy Kuhn

I already covered this one in my Best of 2011 blog, but if you missed that... man was this good. Hilarious, witty, and just pure fun. Easily the best thing to come out of the consistently excellent TMNT series from IDW.

IMAGE COMICS

Whispers #1

Written and drawn by Joshua Luna

This is among the best first issues I've ever read. It's my first comic by Josh Luna (I bought the Ultra TPB at NYCC, but I haven't read it yet), and I'm stunned by how good it is. I read a preview of it last month, and I was intrigued by the depiction of OCD, but this... the whole story is just such a complete mind trip. Anyone who has even had even a slight case of OCD will relate, but this comic doesn't focus on just that. Sam, our protagonist, has recently discovered his strange ability to travel around town, incorporeal and invisible, visiting people he knows while he's asleep. It's a simple concept, but the execution is just... well, honestly, it's perfect. I can't recommend this enough. I bought this comic because I want to support creator owned books, but I'll keep coming back month to month because of how brilliant the writing and art is. Best book of the new year, so far.

DARK HORSE

Buffy the Vampire Slayer #5

Slayer, Interrupted

Written by Andrew Chambliss

Art by Karl Moline

Karl Moline is my favorite BtVS artist, so it was great to see him return for this issue. The story has been called both a sequel to Restless and Season 8's The Chain, but I liked this issue a lot better than either of those stories. While (in my opinion, of course), the former two tales got lost in the dangerous territory of style over substance, this issue delivered the awesome with dream sequences that delivered the wonkiness while still adding to the overall story of the season in a manner that is both clear and entertaining. There are some major developments here and, while I'm sure the internet is already pissed off about the end of the issue, Chambliss and Whedon are taking the series in a surprising direction that's already a hell of a lot more down to earth than Season Eight. I'm thoroughly enjoying this book.

Angel & Faith #5

In Perfect Harmony

Written by Christos Gage

Art by Phil Noto

I dig Phil Noto's covers, but his sequential art didn't do much for me in this issue. It was a fun, light issue - essentially, it's what you expect when you hear the concept. Harmony reaches out to Angel and Faith to investigate a particularly damning sex tape that someone is threatening to leak. There are some cool moments with Clem, who is always a joy to read, and some great Snarky!Faith lines, but man... Rebekah Isaacs was sorely missed.

DC

Justice League Dark #4

In the Dark part four: By the Light of the Moone

Written by Peter Milligan

Art by Mikel Janin

Dark and intriguing, JLDark is everything that it should be. Considering that this book is made up of the most interesting characters in all of DC coming together to fight the baddies too dark and nightmarish for the Justice League proper to face, that's big praise. Every beat of this slow boil story has been an immersive and mind-melting experience, and this issue brings this roller coaster of a book to its highest peak. Shit is about to go down, and I can't wait to see how these characters deal with it. Especially Constantine. Man, can Milligan write him some Constantine.

Green Lantern #5

Sinestro part five

Written by Geoff Johns

Art by Doug Mahnke

The fight to defend Sinestro's home planet from the team of villains that he created comes to a head. Geoff Johns creates the perfect balance of action and drama in this book, and Sinestro continues to be one of the most interesting protagonists in all of DC. Hal Jordan's romantic issues with Carole also gets resolved by the end of this issue, and that happens a bit too... easily. That plotline comes off as a bit "Let's give Hal some girl trouble," which feels a bit weak in contrast to the captivating relationship of Hal and Sinestro. I'm very glad that DC didn't just give Sinestro the Green Lantern title for a few issues for shock value - they're really going through with it, and the end product is as engaging as the idea is ballsy.

Aquaman #4

The Trench conclusion

Written by Geoff Johns

Art by Ivan Reis

Every bit as engaging as Green Lantern, Johns brings his first Badass Aquaman storyline to a conclusion. Oh, what? This series isn't called The Badass Aquaman? Could've fooled me. Johns is pulling out all the stops here to make Aquaman the badass that Grant Morrison already knew he was. The action is great, and double page spreads are used liberally, but not in a way that takes away from the content of the story. It feels like decompressed comics should feel... like you're watching a widescreen film. And this... well, this is that summer blockbuster that leaves you coming back for more.

Batgirl #5

A Candy Full of Spiders

Written by Gail Simone

Art by Adrian Syaf and Vincente Cifuentes

Best issue yet. The minor flaw of Simone's recent writing pops up here again... if you hadn't noticed, it's Batgirl's very occasional incredible lame quip. I had to stop reading when Batgirl kicked her opponent in the face and said "Kiss my rear end!" I mean, is she seventy-five now? Besides that jarring moment, this book is damn solid. We get a follow-up on Barbara's meeting with her mother, as well as a villain twice as interesting as Mirror was. The first part of this new arc has already blown the last one out of the water, and Simone has consistently kept this book on my pull list... and with the way I've been cutting, that's no small feat. The art is mostly good, though some anatomy issues (Batgirl's pose on the first page and Bruce's weird hand on the final page) pop up, and Barbara's mom could've looked a bit less like she was Barbara's age. Despite those issues, though, this remains among the strongest of DC's recent efforts. Get it get it get it.

Batman & Robin #5

Mutineer

Written b Peter J. Tomasi

Art by Patrick Gleason

If you've liked the first four issues, you'll enjoy this. It offers nothing incredible or new, but... well, it's a solid read. Damian ventures off with Ducard, Batman's latest nemesis, and I think it's pretty obvious that he's going to turn on him in favor of Batman. There have been moments, especially in the first and fourth issue, that awed me, but if I'm going to stick with this series something major is going to have to happen to keep me engaged... soon.

The Ray #2

Written by Jimmy Palmiotti and Justin Gray

Art by Jamal Igle

Jimmy and Justin, the writerly team behind Power Girl, deliver another really fun comic. Protagonist Lucien Gates breaks the fourth wall, telling us his story as he experiences it, and the action and monsters are highlighted with the human drama kept to a minimum. It has a certain darkness to it, but the darkness teeters on the edge, coming from the villain instead of from the hero himself like most modern superhero comics. In fact, as the Ray, Lucien is essentially a goofball. A goofball with the badass power of light, yes, but a goofball still. The comic is a quick and enjoyable read and, while it isn't as effective as the duo's other efforts, it's worth the spot on your pull list for the four issues it's going to last.

Action Comics #4

Rocket Song

Written by Grant Morrison

Art by Andy Kubert

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Baby Steps (back-up story)

Written by Sholly Fisch

Art by ChrisCross

Grant Morrison's main story in this month's Action is decent. As readers have come to expect from Morrison, it's pretty damn inventive; we see the destruction of Krypton and Kal-El's voyage to Earth through the mind of the spacecraft he flew in on. It loses steam once the craft lands, as it blends a bit of story from the first Action arc with something that seems to be set in the future. It's all a bit confusing and, while I'm sure it'll make sense with next month's issue, it makes for a rocky read considering the fairly straight-forward beginning. What makes the comic more than worth the cover price is Sholly Fisch's back-up story, which focuses on a recently wed Jonathan and Martha Kent. It's eight pages of well-written and drawn human drama, giving readers a real portrait of two people who are struggling to have a child. I've been a critic of ChrisCross's work in the past, but he does quite a nice job here... and Fisch's script is, beat for beat, perfect.

Detective Comics #5

Wheel of Misfortune

Written and drawn by Tony S. Daniel

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Russian Roulette (back-up story)

Written by Tony S. Daniel

Art by Szymon Kuranski

This is another book that, after this read, I'm going to follow through the trades. The writing isn't bad, nor is the art... it's just that nothing here is particularly strong. Batman watches over Gotham, Batman broods, Batman chases a villain, and then we reveal the Penguin - who was already featured on the cover. The back-up features Catwoman and the son of Hugo Strange teaming up to take on some Russian gangsters. It's not bad by any means, but I don't think it's a comic that I'm willing to shell out three bucks a month for.

Superman #4

Mind for the Taking

Written by George Perez

Art by Jesus Merino

The first issue of this series was great. It was journalistic, emotional, engaging, and simply a good Superman book. Everything that has followed failed to live up to the high standard the first issue set, and I'm sad to say I'm dropping this book because it's such an iconic title, but I got six pages into this book before I closed it, sighed, and put it away. The story hasn't gone anywhere since the first issue, and it doesn't seem as if that's changing this time around. Maybe the second half of this issue is stellar, but I just don't have the patience to get through it. I'll come back to this book later, but I'm clocking out of this storyline.

Supernatural: Caledonia #4

Emma of the Isles Part II

Written by Brian Wood

Art by Grant Bond

I've been a big fan of this series, but it peters off a bit with this issue. Emma meets up with Sam and reveals the reason she called him... evil siren/mermaid kind of creatures. The depiction of these beasties is cool, but the last third of the book is a bit jarring. Sam's behavior is confusing, as is some of the action. Sam witnesses something happening with one of the creatures (after already being dragged away by one and then saved by Emma) and then suddenly realizes how unsafe he is in his location... but he was only unsafe because he went to the beach, where he already knew the creatures were! Sam's fear and subsequent behavior (so scared, gotta wait for Dean!) struck me as a really weird moment in an otherwise stellar series. Hope the next issue gets things back on track.

NEXT TIME: Batman, Birds of Prey, Ghostbusters, Supergirl, Morning Glories, Legends of Oz: The Wicked West.

Comic Book Wednesday

Issue #29

Like almost all comic book readers, this strange fifth Wednesday of the month saw my smallest pull list in quite a while. Let's get to it!

Angel & Faith #4

Live Through This - Part Four

Written by Christos Gage

Art by Rebekah Isaacs

Dark Horse Comics

With this finale of the first arc, Angel and Faith go up against Pearl and Nash in a fight as bloody as it is glowy. These two Big Bads, who are apparently "so far beyond what (Angel and Faith) can even imagine," are dealt with in a clever way that leaves room for our heroes to escape without downplaying the major threat these baddies pose. The skirmish is fun and exciting, though the issue itself doesn't reach the emotional heights I thought it would based on what the previous three installments seemed to be building toward. However, with the way this chapter ends... well, let's just say that it's clear that Christos is writing this story with the long-haul in mind. A lot more questions are posed by the end of the issue, and they're all interesting, true to the characters, and one of them is even all out shocking.

After the battle with Pearl and Nash, Angel comes to a startling discovery about the affect of Mohra blood in a world with no magic. It's grotesque, but it leads Faith and Angel to a sad but necessary decision that, for me at least, seemed to harken back to the old days of Angel. He's darker than Buffy, and he's able to do things that she (at least during the TV show) would have had a problem with - it's debatable whether that makes him more of a hero or less, but what it surely makes him is one of the most interesting characters in the 'verse.

Faith also gets a lot of cool scenes, and the way she plays off of Angel is great. All of my reservations about Angel sharing his title are gone, because while Faith clearly plays an enormous role, Christos and Rebekah never shortchange Angel.

The issue ends with a reveal... and I know I don't normally talk about this sort of stuff in my reviews, I think it's such a big moment that it warrant a bit of speculation. Toward the end of the issue, a glasses-wearing Angel asks Faith for, in lieu of a mug of blood, "a spot of tea, if it won't put you out." Faith says that his impression of Giles was great... and Angel says that he doesn't know what she's talking about. Confused and disturbed, she walks away to get the tea. End of issue.

What.

It seems that Angel is channeling Giles. Or possessed by him. Or something. Whether it's due to something with the Seed, the loss of magic, or something sinister... I don't know. How can we? Maybe it's just Angel's guilt trying to make up for the absence of Giles in a creepy way... but I tend to think not.

This story is going somewhere strange and new, somewhere creepy and fascinating. Is it time for #5 yet?

Teenage Mutant Ninja Turtles #4

Story by Kevin Eastman and Tom Waltz

Written by Tom Waltz

Art by Dan Duncan

IDW Publishing

Another finale of sorts. The first storyline of TMNT wraps up in this issue, which sees Raphael reunited with his brothers as Old Hob pulls out all the stops to take his revenge. We're treated to another flashback, which gives us some time with soon-to-be-villain Baxter Stockman and another look at the freshly mutated turtles and Splinter. There's a really cool metatextual scene where Spliter alludes to the turtles relearning what they once knew in another life (seemingly referencing the old Turtles continuity, giving a wink to old fans), but mostly this issue just deals with the ongoing war between Old Hobb and the turtles.

There is some great action in this issue, and it's more nostalgic than I can say to see all of the turtles fighting together. What really works, though, is the emotional scenes. Raphael's return to the fold is moving, to say the least - especially Splinter's reaction upon seeing him.

This series - the creative team, the ideas new and old, the art, the flashbacks, and the characters - just works. It's month to month one of the best books being published, both for nostalgic and quality reasons, and with the turtles united at last, it seems as if it's only going to get better.

Plus, with Brian Lynch, the brilliant writer behind ANGEL: AFTER THE FALL on next week's RAPHAEL one-shot... well, let's just say that turtles fans who haven't read/seen Brian's previous work are about to become big, big fans of a new writer.

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NEXT WEEK: Action Comics, Detective Comics, Supernatural Caledonia, TMNT: Raphael.

ANGEL AND FAITH #3 review, CLOAK AND DAGGER SPIDER ISLAND #3 review, CASPER'S SCARE SCHOOL #1 review, TMNT #3 review

Comic Book Wednesday

Issue #24

(Part One)

Looks like we're back on track this week. I'm in between biiiig projects (information soonish!), so I had a little while to do a good ol' Comic Book Wednesday review. This first part includes reviews of Angel & Faith, Cloak & Dagger: Spider Island, Casper's Scare School, and Teenage Mutant Ninja Turtles. First, though, here's something super cool. I also bought a bunch of Zenescope books (I don't review those because, as I'm writing for those kind folks, I'm not the most unbiased of sources) and I was flipping through the Grimm Fairy Tales: Halloween Special 2011 (click here to order - see, I told you). In the back, there's a full page ad for my upcoming issue of the series. Check it out:

Definitely made my day. For those who would like to order the issue now (please, he said with a hopeful smile), you can follow these links:

Cover B (pictured above): click

Cover A (art by one Mr. Mike Debalfo): click

Now that that shameless bit of self-promotion/sharing of coolness is over, let's get to the reviews.

Angel & Faith #3

Live Through This - Part Three

Written by Christos Gage

Art by Rebekah Isaacs

Dark Horse Comics

As with many third acts, this is very much setting up the pieces for the conclusion. Christos Gage continues the story nicely, leaving the readers with that "What happens now?" feeling at the end of the issue. This chapter is very Faith-centric, as the eponymous slayer keeps holding more and more things back from Angel as he pushes forward in his misguided journey to resurrect Giles. There's a brief scene with Nadira, who is never as interesting a presence as Angel and Faith, but what the scene does is play on the idea that Faith has become the responsible slayer - or, as she's referred to here, "the grownup." It's both funny and intriguing in its delivery, because while Faith takes offense at the implication that she's old, she can't help but wonder "who went and made me responsible all of a sudden?"

A colleague of Giles, who was a great little guest star, replies, "Why, my dear girl... you did."

The final scene is just great. Isaacs' art has never been better, and there's a great moment between Angel and a Mohra demon that I'm not going to spoil - read the thing for yourself.

All in all, great issue. It's especially cool, because I met Rebekah Isaacs at NYCC, and she was just a lovely human being. She gave me an issue of her creator owned series, MAGNUS, which was just great. I hope to do a spotlight on that issue soon, because it's definitely something fans of ANGEL & FAITH should seek out.

Cloak and Dagger: Spider Island #3

Written by Nick Spencer

Pencils by Emma Rios

DC Comics

Nick Spencer can do no wrong.

I love the last two issues of this series, and this conclusion is no different. This book brings the storyline (Mr. Negative has discovered that Dagger will kill him, so he decides to fuck with her) to an amazing conclusion, changes the central characters in a big way (note the italics), and sets up many plot threads for future issues... which seems to indicate that Nick Spencer and Emma Rios want to make this an on-going series (pleasepleaseplease). This issue is emotional, beautifully drawn, fast paced, and smart. The whole thing reads like the best of Gaiman's SANDMAN with a bit less metatextual commentary.

Incredible conclusion to an incredible story. I'd urge readers to check out the letter section in the back, because Marvel is well aware that fans want more of the Spencer/Rios team on CLOAK & DAGGER, but they're unsure if the series could survive in the current market. Here's what you do: go out and order these issues if you haven't already read them. Then, when the TPB comes out, buy that too - and keep sending those letters in to Marvel. It's comics like these that keeps the superhero genre fresh, alive, and inventive.

Casper's Scare School #1

Halloween is for the Dogs

Written by Paul Morrissey

Art by Sabrina Alberghetti

The New Kid

Written by Landry Walker

Art by Amy Mebberson

APE Entertainment

I bought this issue to see how the series turned out. I pitched stories for this book to APE a while ago, and unfortunately didn't get in. However, I did leave the experience with an appreciation for this new take on Casper. The movie and show are great fun, and the comics manage to translate the energy of the animation to paper quite well. The main story, Halloween is for the Dogs, is fun and sometimes clever, and the back-up story (the four page long The New Kid) is just great.

The best thing about this book, though, is how fantastic the art in Halloween is. The colors jump off the page, the characters look better than they do in the actual cartoon, and the storytelling is super kinetic. If you have a kid that you're trying to get into comics or read, this is a great book for that. It also includes two classic Casper stories that are great fun.

Teenage Mutant Ninja Turtles #3

Story by Kevin Eastman & Tom Waltz

Script by Tom Waltz

Art by Dan Duncan

IDW Publishing

Eastman and Waltz keep on bringing the awesome with this series. Most of the issue focuses on Raph and Casey Jones, the latter of whom is an absolute badass in his hockey mask. It's obvious (and essential) that Raphael is going to end up with the other turtles, but the scenes with these two fighting crime here makes me was a spin-off... badly. The history of the turtles continues to build through the flashbacks, and while most of what is revealed here was apparent from the last issue, the scene is still very, very cool - especially when we see Splinter and the turtles realize that they have mutated.

Dan Duncan and Tom Waltz do a great job of making sure the readers know which turtles we're seeing (this version of the turtles is similar to the original comics in that the masks are all red, unlike the cartoon which has a different color for each turtle). The names are often thrown into conversation by Waltz, but in the cases that there are no names to go off of, Duncan makes sure that the turtle's signature weapon is in plain sight.

Again, another great issue. So glad that IDW is allowing me to relive my childhood through these comics - and hey, while nostalgia is great, it doesn't hurt that this is a fantastic story with beautiful art.

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Now... I see your raised eyebrow. It's all sorts of raised and eyebrow-like. I totally skimped on the second part of the reviews last week. To make up for it, here's a brief run down of the issues I missed.

Wonder Woman (Azzarello/Chiang): Very good. Better than the first issue, which is saying something. I never thought I'd be very interested in a Wonder Woman story, but this tale of creepy gods and mysterious origins is quite a surprise - and a welcome one at that.

Birds of Prey (Swierczynski/Saiz): I really wanted to collect this series in trade instead of singles... but damn. It's just too much fun. Starling is a great character (very Faith-esque, actually), and the story just gets more and more interesting as all the members of this team assemble. And with the introduction of Poison Ivy (WHAT) into the squad, I'm not sure that I'll be able to resist the third installment.

DC UNIVERSE PRESENTS: Deadman (Jenkins/Chang): This is a well-told, intriguing story that feels very different from all of the other DC books - so much so that it almost seems as if it's set in a different world. The vampires and demon bars are straight out of Angel, and it's great to see more aspects of the DCU getting explored. The philosophical/existential tone of this series is interesting, and it's making me enjoy a book I was initially skeptical of.

SOON: Reviews of Justice League Dark, Aquaman, The Flash, Superman, and The Savage Hawkman.

Angel & Faith #2 review, Aquaman #1 review, The Flash #1 review

Comic Book Wednesday

Issue #20

Part One

Ah. The final Wednesday of the New 52. Once all of these reviews or out, we'll know what books are awesome, which we're dropping, which we're giving one more month, and which are setting the internet on fire. Today's slice of the Comic Book Wednesday pie is a thin one, with only three reviews, but we've got a lot more content coming tomorrow.

Angel & Faith #2

Live Through This – Part Two

Written by Christos Gage

Art by Rebekah Isaacs

Dark Horse Comics

Angel & Faith #2 is impossibly good.

Following up on the reveal at the end of the first issue, we watch how Faith copes with the knowledge that Angel plans to bring Giles back to life. The two of them work so well as a team because of their deep, dark history. Faith knows that she owes Angel for how he stuck by her at her worst when no one else would, so despite how much she disagrees with Angel’s ill conceived plans, she stays by his side, not condoning his actions but being what he needs: a friend.

This book is steeped in the rich history of both ANGEL and BUFFY THE VAMPIRE SLAYER, referencing old stories from this rich universe. This, paired with the spot-on voices of Angel and Faith, lends a weight and an authenticity to the comics that elevates this comic to a higher level. And damn, that art is fantastic.

It’s a wonderful, exciting read that is true to the characters and the heart of the show. I love it.

Aquaman #1

The Trench – Part One

Written by Geoff Johns

Pencils by Ivan Reis

DC Comics

I’ve had a very Geoff Johnsy year. I’ve been reading through some somewhat recent trades, discovering how awesome Johns is at reinventing characters. His runs on Green Lantern and The Flash were some of the most fun I’ve had reading funny books all year, and his fine work on Flashpoint (especially the final issue) was among the most exciting and moving comics I’ve had the pleasure of reading. I was looking forward to his Aquaman for a number of reasons, chief of which is the fact that this character needs a writer who approaches characters with respect, sensitivity, humor, and pathos to breathe life into him. And Geoff Johns does just that, while poking fun at the perception of Aquaman.

The mission statement of this book is clear: it’s going to recognize and even call attention to how the public sees Aquaman as a joke… and then pull the ground out from under them. In the book, people laugh when Aquaman appears on scene. A blogger, while interrupting Aquaman’s meal to score an interview, asks him how it feels to be no body’s favorite superhero. This could all come off as way too meta and easy, but these scenes are balanced out by scenes of Aquaman showing how badass he actually is, as well as some humanizing flashbacks to his past—in typical Johns fashion.

If you enjoyed Johns’ work in GREEN LANTERN: SECRET ORIGIN or THE FLASH: REBIRTH, this is right up your alley. This book finally does justice to the man that Grant Morrison always believed in:

Oh yeah. Aquaman's the baddest ass in the seven seas.

The Flash #1

Written by Francis Manapul & Brian Buccellato

Art by Francis Manapul

DC Comics

This is another of the New 52 that I was looking forward to the most. The Flash’s story arc in Flashpoint was emotionally driven, heroic, and so poignantly bittersweet that I’d hoped that would translate over into his ongoing series as well. Writers Manapul and Buccellato forge ahead, however, not addressing what Barry went through in the Universe altering finale of Flashpoint. It’s a brand new story in a brand new world… while Barry “set the world right,” this new world is one where he isn’t married to Iris West. They haven’t even been on a date. Hell, he doesn’t even seem to like her very much, though that’s obviously a means to set up their romance arc. Especially in context of Flashpoint, and what Barry sacrificed in order to return to world to what he thought would be normal, it’s sad and a bit disappointing to see how different his life has become, and how unaware of the changes he is.

The comic itself is decent. The story doesn’t carry the weight than Geoff Johns’ Barry Allen stories did, but those had a lot more at stake – this serves as a very functional beginning to a new arc. The writing is mostly decent, and the art is phenomenal. It’s a good team, and I think they will build a good Flash story. I do hope, though, that these books eventually grow to address the “Flashpoint wall” the same way that the Legion books have. Barry Allen has, in some ways, become the heart of the DCU… so I hope he eventually realizes that his sacrifice has been manipulated and things are not as they are supposed to be.

But hey. That’s just one fan’s wishes. I liked the book.

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TOMORROW: A whole entry dedicated to IDW's GHOSTBUSTERS #1.

AND THEN: Reviews for Superman #1, Justice League Dark #1, The Dark Knight #1, The Savage Hawkman #1, I Vampire #1, and The Fury of Firestorm #1.

Angel and Faith #1 review, Flashpoint #5 review, Justice League #1 review

Comic Book Wednesday

Issue #16

For years, I ran a site called Buffyverse Comic Reviews. I figured I'd stop when I knew I was going to be writing a story for IDW's Angel: Yearbook, as it's tacky to write about comics that you know you'll be writing soon. If it's a positive review, it just seems as if you're kissing ass so you can write more in the future. If it's negative, you come off as a dick to the other people working on a book. Well, as I have absolutely nothing to do with the current Buffy/Angel comics, I figure... well, why not?

Also, this review will also cover with finale of Flashpoint and, really, the DC Universe as we know it... and the birth of the new DCU with Justice League #1. I also picked up another comic at the shop, but I'm not going to review this one... because I am in the middle of writing an issue of the series as we speak. I'll give more info on that when I can, but I'll tell you this... it's a blast.

And now, the reviews! Man, it's a good week.

Angel & Faith #1

Live Through This - Part One

Written by Christos Gage

Pencils by Rebekah Isaacs

Dark Horse Comics

Coming from someone who was extremely skeptical about Angel co-starring in his own title, someone who wrote for IDW's Angel and wants the title to himself (once you get a taste of writing Whedon characters, it's hard to stop - it's like crack or Pringles... it's like crack flavored Pringles), and someone who was more than slightly dubious about the Twilight plotline... the first issue of Angel & Faith is a damn good comic.

First and foremost, Angel as a character isn't sidelined at all. Every page is about him. Every page is about Giles. The comic is really about the two of them, and how Faith has become the level-headed slayer. She's not only playing the role of savior like Angel played for her in the television show... she has become a mentor for other slayers as well. She's grown, but she's still the same snarky, dark, powerful woman that she was in the show.

And Angel... as I said, the book focuses on him more than anything else. His time as Twilight casts a dark shadow over this comic (rightfully so), but you don't have to really buy his motive in order to enjoy this book. In fact, Faith even says, "Y'know what? Your whole Twilight phase makes about as much sense as a David Lynch movie." This isn't the creative team shrinking back from Buffy: Season Eight, though - Angel goes on to give more explanation as to his Twilight persona, though he never excuses himself or attempts to make sense of it. He knows that he was under the thrall of Twilight, but admits his fault in all of his actions. He's after redemption, and his end goal makes so much sense for who he is as a person. Angel is a fan of the big, sweeping actions (his plan in Not Fade Away, his plan in After the Fall #16, his time as Twilight), so of course he wants to bring Giles back to life. It's a heroic, sad, and misguided decision that I can't wait to see play out.

Whistler appears, and his role suggest that we might finally get some backstory for this character. Is he who he says he is? Besides balancing the scales of good and evil, what stake does he have in all of this? That scene also introduces Pearl and Nash, a pair of human/demon hybrids who seem to be the Big Bads of either this arc or the whole series. It'll be interesting to see how this all unfolds, but from what we've seen, these are some creepy, brutal beasties.

With one issue, Angel & Faith has already swept away my reservations and a bit of my jealousy (I'm a writer and a fan, so I want to write everything - it's a thing). It gets the voices pitch perfect, introduces the villains, and kicks off character arcs for Angel and Faith that already have more purpose and clarity than the entirety of each of their Season Eight storylines. Christos Gage and Rebekah Isaacs hit this one out of the park.

Flashpoint #5

Written by Geoff Johns

Pencils Andy Kubert

DC Comics

I've enjoyed all of Flashpoint, and I didn't expect anything less than excellence from this issue. I love everything I've ever read from Geoff Johns, I've found the storyline compelling, and I've been anticipating finding out how this will kickstart the New 52 for months. What I did not expect was for this issue to be as utterly moving as it was. For those who read the preview, the opening reveals that it isn't Reverse Flash who is responsible for the hellish world of Flashpoint, but Barry Allen himself. The rest of the issue brings the battle between Flash, Reverse Flash, Thomas Wayne, Aquaman, Wonderwoman, and the Resistance to a dramatic (but brief) climax. The action is quickly gotten out of the way for the real emotional meat of the comic... and I sobbed. Literal tears and all that. This is some of the most emotionally powerful storytelling I've read all year, and it moved me more than any comic book I've read since Brian Lynch's After the Fall (read my review for the finale of that series here).

Geoff Johns' love for these character is obvious in every panel of the books he writes, and this one just sings. Big character moments, gripping action, and a moving final scene, this sets the stage for many great stories to come.

Justice League #1

Written by Geoff Johns

Pencils by Jim Lee

DC Comics

And the New 52 begins here. While I understand and agree with the intention, it may have not been smart to release this issue the same day as Flashpoint #5. I obviously thought that the finale of Flashpoint was excellent, so it was a bit jarring to see how... let's say dialed back the premiere of Justice League is. It's made up of three long scenes, beginning with Batman running into Green Lantern while on the run from the authorities and in pursuit of an alien creature. Most of the issue (let's say 70%) is Hal boasting and Bruce making him look like a jerk. The rest of the issue shows football player Vic Stone dealing with daddy issues in his pre-Cyborg days and the bickery duo of Green Lantern and Batman trying to find and confront Superman.

It's a quick read that puts action before story. The action is good, though Jim Lee's explosions are a bit chaotic and sometimes take some effort to follow. It's a decent introductory issue, but I expected a bit more meat for the big start of the New 52.

TOMORROW: Kevin Smith's The Bionic Man #1 review & Batgirl #22-24 review