Final Comic Book Wednesday

Welcome to the final installment of...

Comic Book Wednesday

Issue #33

Yep, you read that right. After this issue, I'll be unable to continue my weekly blog. It's been a blast writing about the books I read here, and I think it's actually increased my enjoyment of those comics. I've been working as a Screenwriting teacher at Five Towns College, and my workload has increased threefold this semester... and I think it's time to focus all of my writing attention on - well, you know, my writing. I'll still write about comics, and I'll even post reviews, but I definitely can't do it on a weekly basis any more.

So alas... let's get to it!

Thankfully, this was a good week. Angel & Faith, TMNT, and JLD all delivered fantastic reads, and even the books that didn't totally impress me weren't quite bad.

Angel & Faith #6

Daddy Issues - Part One

Written by Christos Gage

Art by Rebekah Isaacs

Dark Horse Comics

It makes sense that the best installment of Angel & Faith thus far has the best cover. Steve Morris' cover, featuring a younger Giles emerging from a Russian doll-version of Giles as we know him... it's perfect. It's perfect because it intrigues and mystifies while also accurately representing the inside story. It also functioned to tease the fandom a bit, as it was released before we got a chance to read A&F #4, which many fans thought to be the climax of the "Angel resurrects Giles" arc. However, it wasn't, and Christos Gage is telling that slowburn story over the course of the whole twenty-five issue series. What this cover did was make the fandom wonder if Giles was going to be brought back successfully as Ripper - which is a great idea, but Gage has something else in mind.

Angel, while still obsessed with the idea of bringing Giles back, continues his mission of using Giles' Watcher's Diary as a yellow pages of the supernatural. He goes after a Lophrage demon, a mosquito lookin' mamajama who we're introduced to in a kickass flashback to Giles' time in Watchers Academy. The show, because of obvious age issues, never gave us a look at the teenage, pre-Ripper Giles... but now, in this comic, all those old impossibilities are nothing but memories. Along with the rest of his senior class, Giles has an encounter with this horrifying Lophrage demon, which serves to give Angel a new mission as well as to shed some light on why Giles became Ripper in the first place.

Faith is kept busy, investigating a vampire named Mother Superior. Faith's story is still very tied to Nadira, who is about as fun to read as Rona was to watch in Season Seven, but at least the Slayer Juniors get very little page time here. As Angel brings Faith on board with his Lophrage hunt, it becomes clear quickly that the elusive Mother Superior is involved with the demon in some way. I'm just going to go ahead and spoil the reveal at the end, because... well, anyone who has seen the covers knows, and really - anyone that knows Drusilla knew it would be her as soon as the name "Mother Superior" was mentioned. What other vamp who would warrant a reveal would choose such a name?

The real reveal, though, is that Drusilla is sane. This intrigues me a lot, because the optimist in me thinks that this may be Christos Gage attempting to tie his stories into IDW's work on Angel and Spike, considering Drusilla's sanity (and the fragility of it) was a major, major aspect of Brian Lynch's final Spike arc. On the other hand, I can see Drusilla using the Lophrage demon to steal other people's sanity - but there's enough speculation on the boards. From where I stand, it was the best issue of the series so far. I love how we're playing with the motif of fathers (Angel - Drusilla, Giles - his father, and Faith - her father... who we meet in this issue as well), which solidifies my hope that this series isn't just throwing Angel and Faith together for the hell of it. This series is about something, and I'm very, very engaged.

The most awesome aspect of the book, though, is Rebekah Isaac's artwork. Her characters are the perfect marriage of stylization and capturing likenesses. The action moves nicely, the small character moments really sing, and it has a dark, consistent tone that elevates this book quite a bit. I may like the lightness and the wordplay in the Buffy: Season Nine book slightly better than the story Gage is telling, but Isaacs' art just makes this one the winner. That might be, though, because BtVS:9 is such a vast improvement over BtVS:8, which Angel & Faith has just been really consistently good.

I hope this title continues to grow, but it really has everything right. I hope that the one-shots and the comedic stories are a bit better going forward, but Christos Gage and Rebekah Isaacs knock the arcs out of the park.

Teenage Mutant Ninja Turtles #6

Story by Kevin Eastman and Tom Waltz

Written by Tom Waltz

Art by Dan Duncan

IDW Publishing

I originally tweeted that this was the best of IDW's ongoing Teenage Mutant Ninja Turtles series, but I'm going to amend that... it's the best since the first issue. And don't think I'm trying to turn this issue into Pluto, but I just went back and reread all of the issues, and that first one is really the perfect comic book. This one continues the story in an incredibly exciting way, continuing to blend the original gritty comic with the pizza-celebrating cartoon, creating a book that all generations of fans can embrace.

In this one, shit begins to hit the fan. It's revealed that Baxter Stockman hired Old Hob to bring down the turtles, and this uneasy alliance makes for great reading. It leads to the awesome reveal at the end of the issue which reintroduces the MOUSERS to the TMNT-verse, but the best think about the Hob/Stockman team-up is the humor. My favorite scene in the comic:

HOB: Holy...

STOCKMAN: Impressive, aren't they? We've been developing them as part of a program to locate and destroy I.E.D.s on the battlefield.

HOB: I.E.D.s?

STOCKMAN: Improved Explosive Devices.

HOB: ...

STOCKMAN: A booby trap that goes boom.

HOB: Ah. Gotcha.

All of the plotlines from the previous issues continue here. Casey Jones meets up with April O'Neil, the turtles and Splinter continue to talk about and debate their presumed reincarnation, and the Foot Soldiers brew up some trouble. It's all building toward something big, and I can't wait to see what the ongoing and Brian Lynch's two remaining microseries bring.

Aquaman #5

Lost

Written by Geoff Johns

Pencils by Ivan Reis

DC Comics

I liked this. I liked it a lot better than JL#5. It's about as "written for trade" as JL, but the thing about this book is that it's a hell of a lot stronger than JL, so the overall effect is a bit less damning. It's a quick read, but the narrative device of throwing Aquaman into the desert and then showing us how he got there by alternating from the desert to the past is strong.

The current arc is leading to a major storyline having to do with Atlantis, and I'm very much looking forward to it. I like Aquaman as this likable, badass, overlooked hero. I like that the events of the previous arc are still bothering him. I like that the new mystery is still attached to the events of "The Trench" storyline, giving this book a cohesive "big picture" feel. I like a lot of things about this book and I think that, in good time, I may even love it. This issue doesn't do much to make Aquaman climb to the top of my pull list, but I'm consistently enjoying it.

Justice League Dark #5

In the Dark finale: There Was a Crooked Man

Written by Peter Milligan

Art by Mikel Janin

DC Comics

And the first arc of one of my favorite New 52 books comes to a close. It's a satisfying, if not perfect, ending that leaves me wondering where the hell Milligan's going to take the story. The dark tone that makes this series such a creepy read permeates this issue especially, so there is no happy ending for June Moone... but it's not heart-crushingly dark either. At the end of the issue, our team of characters isn't a team at all. Hell, they don't want to see each other, and I don't blame them. Milligan is cooking up some nastiness for them in each issue, and none of these people are true heroes. They lack the moral fiber of Superman and his kind, but some of them still try to be heroes... which leads them to clash. A lot.

One minor complaint was that Constantine was a bit too much of a jerk here. I know he is no longer the man who wants to save the world that we first ran into in Alan Moore's Swamp Thing, but he's a bit... well, he's sort of like Spike in the finale of the second season of Buffy the Vampire Slayer. For those of you that don't worship at the altar of Whedon, that means that Constantine claims to only be interested in saving the world because he is on the world. The Constantine I've read has lost a lot, but isn't selfish enough that he only values his own safety. Maybe it's just him being a hardass and I'm reading too literally, but that was a bit jarring for me.

The art is perfect. Mikel Janin's work is perfect for this book, and I hope he's in it for the longrun. He is perfect for this book and certainly vice-versa.

I know some folks have lost patience with the slow-boil narrative, but this is one of the most consistently enjoyable books in my pull list. I can't wait to see what fate has in store for these poor bastards next.

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Thanks for reading. I'm going to keep updating this blog, so hang around. I've got a lot more to say.

Comic Book Wednesday #31

Comic Book Wednesday

Issue #31

Here's what I've been reading over the past three weeks. Some good, some great, some not-so-much.

IDW

The Cape #3

Written by Jason Ciaramella

Inspired by the short story "The Cape" by Joe Hill

Art by Zach Howard

This saga of misguided revenge gets even scarier this time around. Ciaramella cuts this tale up with flashbacks of a much more innocent childhood, giving the horrific scenes a harsh dichotomy. The story, while simple, is as riveting as it is batshit crazy (flying dude takes down a plane with a CHAINSAW), and it remains on the top of my pull list. The issue ends with the deranged Eric preparing for a showdown of sorts with his brother Nicky, who just happens to be the primary object of Eric's war on his family. Shit is going down, and I'm pumped to see how they end it all.

Teenage Mutant Ninja Turtles: Microseries #2

Michelangelo

Written by Brian Lynch

Art by Andy Kuhn

I already covered this one in my Best of 2011 blog, but if you missed that... man was this good. Hilarious, witty, and just pure fun. Easily the best thing to come out of the consistently excellent TMNT series from IDW.

IMAGE COMICS

Whispers #1

Written and drawn by Joshua Luna

This is among the best first issues I've ever read. It's my first comic by Josh Luna (I bought the Ultra TPB at NYCC, but I haven't read it yet), and I'm stunned by how good it is. I read a preview of it last month, and I was intrigued by the depiction of OCD, but this... the whole story is just such a complete mind trip. Anyone who has even had even a slight case of OCD will relate, but this comic doesn't focus on just that. Sam, our protagonist, has recently discovered his strange ability to travel around town, incorporeal and invisible, visiting people he knows while he's asleep. It's a simple concept, but the execution is just... well, honestly, it's perfect. I can't recommend this enough. I bought this comic because I want to support creator owned books, but I'll keep coming back month to month because of how brilliant the writing and art is. Best book of the new year, so far.

DARK HORSE

Buffy the Vampire Slayer #5

Slayer, Interrupted

Written by Andrew Chambliss

Art by Karl Moline

Karl Moline is my favorite BtVS artist, so it was great to see him return for this issue. The story has been called both a sequel to Restless and Season 8's The Chain, but I liked this issue a lot better than either of those stories. While (in my opinion, of course), the former two tales got lost in the dangerous territory of style over substance, this issue delivered the awesome with dream sequences that delivered the wonkiness while still adding to the overall story of the season in a manner that is both clear and entertaining. There are some major developments here and, while I'm sure the internet is already pissed off about the end of the issue, Chambliss and Whedon are taking the series in a surprising direction that's already a hell of a lot more down to earth than Season Eight. I'm thoroughly enjoying this book.

Angel & Faith #5

In Perfect Harmony

Written by Christos Gage

Art by Phil Noto

I dig Phil Noto's covers, but his sequential art didn't do much for me in this issue. It was a fun, light issue - essentially, it's what you expect when you hear the concept. Harmony reaches out to Angel and Faith to investigate a particularly damning sex tape that someone is threatening to leak. There are some cool moments with Clem, who is always a joy to read, and some great Snarky!Faith lines, but man... Rebekah Isaacs was sorely missed.

DC

Justice League Dark #4

In the Dark part four: By the Light of the Moone

Written by Peter Milligan

Art by Mikel Janin

Dark and intriguing, JLDark is everything that it should be. Considering that this book is made up of the most interesting characters in all of DC coming together to fight the baddies too dark and nightmarish for the Justice League proper to face, that's big praise. Every beat of this slow boil story has been an immersive and mind-melting experience, and this issue brings this roller coaster of a book to its highest peak. Shit is about to go down, and I can't wait to see how these characters deal with it. Especially Constantine. Man, can Milligan write him some Constantine.

Green Lantern #5

Sinestro part five

Written by Geoff Johns

Art by Doug Mahnke

The fight to defend Sinestro's home planet from the team of villains that he created comes to a head. Geoff Johns creates the perfect balance of action and drama in this book, and Sinestro continues to be one of the most interesting protagonists in all of DC. Hal Jordan's romantic issues with Carole also gets resolved by the end of this issue, and that happens a bit too... easily. That plotline comes off as a bit "Let's give Hal some girl trouble," which feels a bit weak in contrast to the captivating relationship of Hal and Sinestro. I'm very glad that DC didn't just give Sinestro the Green Lantern title for a few issues for shock value - they're really going through with it, and the end product is as engaging as the idea is ballsy.

Aquaman #4

The Trench conclusion

Written by Geoff Johns

Art by Ivan Reis

Every bit as engaging as Green Lantern, Johns brings his first Badass Aquaman storyline to a conclusion. Oh, what? This series isn't called The Badass Aquaman? Could've fooled me. Johns is pulling out all the stops here to make Aquaman the badass that Grant Morrison already knew he was. The action is great, and double page spreads are used liberally, but not in a way that takes away from the content of the story. It feels like decompressed comics should feel... like you're watching a widescreen film. And this... well, this is that summer blockbuster that leaves you coming back for more.

Batgirl #5

A Candy Full of Spiders

Written by Gail Simone

Art by Adrian Syaf and Vincente Cifuentes

Best issue yet. The minor flaw of Simone's recent writing pops up here again... if you hadn't noticed, it's Batgirl's very occasional incredible lame quip. I had to stop reading when Batgirl kicked her opponent in the face and said "Kiss my rear end!" I mean, is she seventy-five now? Besides that jarring moment, this book is damn solid. We get a follow-up on Barbara's meeting with her mother, as well as a villain twice as interesting as Mirror was. The first part of this new arc has already blown the last one out of the water, and Simone has consistently kept this book on my pull list... and with the way I've been cutting, that's no small feat. The art is mostly good, though some anatomy issues (Batgirl's pose on the first page and Bruce's weird hand on the final page) pop up, and Barbara's mom could've looked a bit less like she was Barbara's age. Despite those issues, though, this remains among the strongest of DC's recent efforts. Get it get it get it.

Batman & Robin #5

Mutineer

Written b Peter J. Tomasi

Art by Patrick Gleason

If you've liked the first four issues, you'll enjoy this. It offers nothing incredible or new, but... well, it's a solid read. Damian ventures off with Ducard, Batman's latest nemesis, and I think it's pretty obvious that he's going to turn on him in favor of Batman. There have been moments, especially in the first and fourth issue, that awed me, but if I'm going to stick with this series something major is going to have to happen to keep me engaged... soon.

The Ray #2

Written by Jimmy Palmiotti and Justin Gray

Art by Jamal Igle

Jimmy and Justin, the writerly team behind Power Girl, deliver another really fun comic. Protagonist Lucien Gates breaks the fourth wall, telling us his story as he experiences it, and the action and monsters are highlighted with the human drama kept to a minimum. It has a certain darkness to it, but the darkness teeters on the edge, coming from the villain instead of from the hero himself like most modern superhero comics. In fact, as the Ray, Lucien is essentially a goofball. A goofball with the badass power of light, yes, but a goofball still. The comic is a quick and enjoyable read and, while it isn't as effective as the duo's other efforts, it's worth the spot on your pull list for the four issues it's going to last.

Action Comics #4

Rocket Song

Written by Grant Morrison

Art by Andy Kubert

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Baby Steps (back-up story)

Written by Sholly Fisch

Art by ChrisCross

Grant Morrison's main story in this month's Action is decent. As readers have come to expect from Morrison, it's pretty damn inventive; we see the destruction of Krypton and Kal-El's voyage to Earth through the mind of the spacecraft he flew in on. It loses steam once the craft lands, as it blends a bit of story from the first Action arc with something that seems to be set in the future. It's all a bit confusing and, while I'm sure it'll make sense with next month's issue, it makes for a rocky read considering the fairly straight-forward beginning. What makes the comic more than worth the cover price is Sholly Fisch's back-up story, which focuses on a recently wed Jonathan and Martha Kent. It's eight pages of well-written and drawn human drama, giving readers a real portrait of two people who are struggling to have a child. I've been a critic of ChrisCross's work in the past, but he does quite a nice job here... and Fisch's script is, beat for beat, perfect.

Detective Comics #5

Wheel of Misfortune

Written and drawn by Tony S. Daniel

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Russian Roulette (back-up story)

Written by Tony S. Daniel

Art by Szymon Kuranski

This is another book that, after this read, I'm going to follow through the trades. The writing isn't bad, nor is the art... it's just that nothing here is particularly strong. Batman watches over Gotham, Batman broods, Batman chases a villain, and then we reveal the Penguin - who was already featured on the cover. The back-up features Catwoman and the son of Hugo Strange teaming up to take on some Russian gangsters. It's not bad by any means, but I don't think it's a comic that I'm willing to shell out three bucks a month for.

Superman #4

Mind for the Taking

Written by George Perez

Art by Jesus Merino

The first issue of this series was great. It was journalistic, emotional, engaging, and simply a good Superman book. Everything that has followed failed to live up to the high standard the first issue set, and I'm sad to say I'm dropping this book because it's such an iconic title, but I got six pages into this book before I closed it, sighed, and put it away. The story hasn't gone anywhere since the first issue, and it doesn't seem as if that's changing this time around. Maybe the second half of this issue is stellar, but I just don't have the patience to get through it. I'll come back to this book later, but I'm clocking out of this storyline.

Supernatural: Caledonia #4

Emma of the Isles Part II

Written by Brian Wood

Art by Grant Bond

I've been a big fan of this series, but it peters off a bit with this issue. Emma meets up with Sam and reveals the reason she called him... evil siren/mermaid kind of creatures. The depiction of these beasties is cool, but the last third of the book is a bit jarring. Sam's behavior is confusing, as is some of the action. Sam witnesses something happening with one of the creatures (after already being dragged away by one and then saved by Emma) and then suddenly realizes how unsafe he is in his location... but he was only unsafe because he went to the beach, where he already knew the creatures were! Sam's fear and subsequent behavior (so scared, gotta wait for Dean!) struck me as a really weird moment in an otherwise stellar series. Hope the next issue gets things back on track.

NEXT TIME: Batman, Birds of Prey, Ghostbusters, Supergirl, Morning Glories, Legends of Oz: The Wicked West.

Review Round-up

I've been slacking on the reviews, so here's a big round-up of the last few weeks of comic book goodness.

IDW Publishing

- Memorial #1

Chris Roberson's new creator owned series was one of my most anticipated reads of this month. iZombie, his Vertigo series, is one of the best books on stands, so I was expecting this book to deliver... big time. It delivered, sure, but I'm not as hooked as I expected to be. I'm certainly going to buy the trade (or, knowing IDW, the big beautiful hardcover), but I'm not convinced that this book is going to keep me coming back on a monthly basis for the floppies. I love Roberson's writing and I want to see him keep putting out great material, so I'm reserving judgement of this series until the second issue.

- Teenage Mutant Ninja Turtles #5

Last issue, Raph was reunited with his brothers, and this issue spends a lot of time showing how these four are going to function as a unit. However, the most interesting aspect reveals why these Teenage Mutant Turtles are... well, Ninjas. We get a surprisingly intense flashback to Feudal Japan that reveals the four turtles, Splinter, and even Shredder were reincarnated from past lives. The series ends with a sweet, very Christmassy moment that shows Splinter giving all four turtles their own (differently colored) mask, while also giving an in-text reason for the wearing of the red. It simultaneously embraces the original comics and the cartoon, and that is, I think, the best route to take this comic. Loving it.

- Ghostbusters #4

So, about loving things. The first storyline comes to a climatic conclusion in this issue. While some fans have complained about this being a retread of the first movie, what this series has been doing is developing and expanding upon the mythology that made the first flick as awesome as it was. The quippy dialogue and tone are all present here, but Dapper Dan is given the chance to really flex his penciller muscles for the action scenes. So, so good.

DC Comics

- Batman #4

Scott Snyder's Batman continues to be the best superhero book on the market. The mystery of the Court of Owls deepens. Bruce is put at odds with Dick and, seemingly, everyone else in his life as he continues his war against this mysterious group (and sleep). With 2011 coming to a close, I can now say that this is easily the best of the New 52. As a side note, though, I'd like more of an idea of where Damian is through all of this, as he is very present (and rightfully so) in every moment of the Batman & Robin series.

- Batgirl #4

Opening with a terrifying image of Batgirl once again bound to a chair, this comic doesn't let up. While I'm still not sold on Mirror's hokey M.O., no matter how nicely it ties into Barbara's character arc, this issue is bursting at the seams with character moments. Sweet, smart, and loaded with kick-ass action, the fourth issue of Batgirl proves to be another solid installment.

- Batman & Robin #4

The slow boil of this series really, really intrigues me. While I'm getting tired of the repeated image of Damian killing little creatures to show how disturbed he is, the visuals here are almost always great. There's a wonderful scene where Damian visits the Waynes' graves just to tell them how much of a stubborn ass their son is. The villain named Nobody (fan of classical literature, maybe?) is interesting as hell, and has a very theme-centric M.O. that, unlike that of Mirror's, completely works. So interested to see where this is going.

- Nightwing #4

Higgins takes a break from the main story arc and follows up on the Batgirl/Nightwing crossover from last month's issue of Batgirl. They have a fun dynamic, but the exchanges between the characters don't sing the way they do when penned by Gail Simone. This comic has been mostly fun to read, but I think it's time to drop the monthly and wait for the trade.

- Birds of Prey #4

Continuously the biggest surprise of the New 52. The characters are great, the action is great, the plot is great, the writing is great, and the tone is... you get the point. Beat for beat, this is second only to Snyder's Batman in the DCnU... and this is the best issue yet. I have questions about Batgirl's sudden desire to play in the BoP sandbox, what with her stance in #1, but I'm surely sticking around for the longrun to see all of my questions answered. Oh, and Starling needs her own series, stat.

- Justice League #4

The decompression has gotten completely out of control. The last five pages consist of two double page spreads and a full page reveal... but each image accomplishes the same effect. It's done either to take up page space or to give the comic a cinematic feel, the latter of which is a good idea, but it just doesn't work. While the action in the comic is decent, none of these issues aside from #3 have lived up to what a Justice League comic should be. Hell, the story is so flimsy that it doesn't live up to what a comic focusing on any of the given JL heroes should be. If you're looking for a good example of why Geoff Johns is one of the best writers in comics, a game of "anywhere but here" might be in order. Aquaman is great, Green Lantern is great... but this is just twenty one pages a month of unfulfilled potential.

- Green Lantern #4

Really, really solid. In Geoff Johns' hands, Sinestro is one of the most complex characters in superhero comics. He's beginning to give off a bit of a Severus Snape vibe, what with his loyalties split and his spoiled morality challenged, and I can't wait to see what Johns is going to do with him in the longrun. It seems that he's keeping both Hal and Sinestro as Lanterns, which has the potential to be a fantastic team. If #1-4 are evidence of what is to come, this book will no squander that potential.

- Supergirl #4

It's a lot better than last month, but... I just can't bring myself to care very much. The art is great and the writing is competent, but we're not given enough of Kara as a character to care much about what she's going through. There is way too much focus on Tycho as a villain so early on, and it's taking page time away from the development of Supergirl herself. She's my favorite character in the old DCU, so I'm in it for the long run, but this book has sadly fallen to the very bottom of my pull list.

Wonder Woman #4

Devastating and epic. That's mostly what this book is. There's a club scene with Wonder Woman and Strife trying to let off some steam, but we spend so much time with other people talking about what Wonder Woman is doing and with Strife being creepy that we really don't get the chance to see what Wonder Woman is doing in this club. Is she trying to distract herself? Is it working? I love the idea of her letting off steam, but I'd rather see how she does it than to see others reacting to her doing it. That may've come out wrong. Anyway, the stuff back of Paradise Island is horrific and shocking, and easily overcomes the flaws inherent in the presentation of other scenes. This is a really slick book, and I'll be sticking with it as long as Azzarello is on it.

- The Ray #1

This is a fun new series from the writers who made Power Girl awesome. The writing is bright, cheery, and quirky... and then pitch black dark by the end. It's a strange, strange read, but I'll be back to see where two of my favorite creators take this new hero.

Dark Horse

- Buffy the Vampire Slayer: Season Nine #4

This is everything that a finale to a first arc of a comic book "season" should be. It finishes the story while building on the overarching plot of the season, it's emotional without being too much too soon, it gives new characters page time without taking away from the established/oldies but goodies, it ends with a twist that doesn't come off as shock value for shock value's sake, it's funny, it's true to the show that it's continuing, and it's just very, very good. I'm really digging Christos Gage and Rebekah Isaacs' work on Angel & Faith, but Buffy: Season Nine is just completely nailing it on the writerly front. Now, if only we could get Isaacs on this title...

APE Entertainment

-Helldorado #1

I won this through a really strange Facebook contest. The APE Facebook page posted that the first five people to call a certain editor would be given a free comic. I called, talked to the dude (nice guy) who was surprised that anyone saw that, and was subsequently shipped this comic. It's a western kung-fu horror that is surprisingly readable. It takes a few pages longer than necessary to really get going, but the book banks on the likability of the characters. And then, it kills them as all hell breaks the fuck loose. It's a horrific book with enough blood to have the names Ennis or Millar attached, so I'd encourage fans of good ol' blood splatterin' horror to pick this one up.

Comic Book Wednesday

Issue #29

Like almost all comic book readers, this strange fifth Wednesday of the month saw my smallest pull list in quite a while. Let's get to it!

Angel & Faith #4

Live Through This - Part Four

Written by Christos Gage

Art by Rebekah Isaacs

Dark Horse Comics

With this finale of the first arc, Angel and Faith go up against Pearl and Nash in a fight as bloody as it is glowy. These two Big Bads, who are apparently "so far beyond what (Angel and Faith) can even imagine," are dealt with in a clever way that leaves room for our heroes to escape without downplaying the major threat these baddies pose. The skirmish is fun and exciting, though the issue itself doesn't reach the emotional heights I thought it would based on what the previous three installments seemed to be building toward. However, with the way this chapter ends... well, let's just say that it's clear that Christos is writing this story with the long-haul in mind. A lot more questions are posed by the end of the issue, and they're all interesting, true to the characters, and one of them is even all out shocking.

After the battle with Pearl and Nash, Angel comes to a startling discovery about the affect of Mohra blood in a world with no magic. It's grotesque, but it leads Faith and Angel to a sad but necessary decision that, for me at least, seemed to harken back to the old days of Angel. He's darker than Buffy, and he's able to do things that she (at least during the TV show) would have had a problem with - it's debatable whether that makes him more of a hero or less, but what it surely makes him is one of the most interesting characters in the 'verse.

Faith also gets a lot of cool scenes, and the way she plays off of Angel is great. All of my reservations about Angel sharing his title are gone, because while Faith clearly plays an enormous role, Christos and Rebekah never shortchange Angel.

The issue ends with a reveal... and I know I don't normally talk about this sort of stuff in my reviews, I think it's such a big moment that it warrant a bit of speculation. Toward the end of the issue, a glasses-wearing Angel asks Faith for, in lieu of a mug of blood, "a spot of tea, if it won't put you out." Faith says that his impression of Giles was great... and Angel says that he doesn't know what she's talking about. Confused and disturbed, she walks away to get the tea. End of issue.

What.

It seems that Angel is channeling Giles. Or possessed by him. Or something. Whether it's due to something with the Seed, the loss of magic, or something sinister... I don't know. How can we? Maybe it's just Angel's guilt trying to make up for the absence of Giles in a creepy way... but I tend to think not.

This story is going somewhere strange and new, somewhere creepy and fascinating. Is it time for #5 yet?

Teenage Mutant Ninja Turtles #4

Story by Kevin Eastman and Tom Waltz

Written by Tom Waltz

Art by Dan Duncan

IDW Publishing

Another finale of sorts. The first storyline of TMNT wraps up in this issue, which sees Raphael reunited with his brothers as Old Hob pulls out all the stops to take his revenge. We're treated to another flashback, which gives us some time with soon-to-be-villain Baxter Stockman and another look at the freshly mutated turtles and Splinter. There's a really cool metatextual scene where Spliter alludes to the turtles relearning what they once knew in another life (seemingly referencing the old Turtles continuity, giving a wink to old fans), but mostly this issue just deals with the ongoing war between Old Hobb and the turtles.

There is some great action in this issue, and it's more nostalgic than I can say to see all of the turtles fighting together. What really works, though, is the emotional scenes. Raphael's return to the fold is moving, to say the least - especially Splinter's reaction upon seeing him.

This series - the creative team, the ideas new and old, the art, the flashbacks, and the characters - just works. It's month to month one of the best books being published, both for nostalgic and quality reasons, and with the turtles united at last, it seems as if it's only going to get better.

Plus, with Brian Lynch, the brilliant writer behind ANGEL: AFTER THE FALL on next week's RAPHAEL one-shot... well, let's just say that turtles fans who haven't read/seen Brian's previous work are about to become big, big fans of a new writer.

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NEXT WEEK: Action Comics, Detective Comics, Supernatural Caledonia, TMNT: Raphael.

Buffy Season 9 #3 review, Batgirl #3, Action Comics #3 review, Green Lantern #3 review, and more!

Comic Book Wednesday

Issue #26

Yeah, yeah, I know it's not Wednesday. It's Saturday, and a lot of the books I'm reviewing are comics that I didn't get a chance to get to last week. This feature of the blog will continue to be a regular thing, but with two dayjobs and a freelance writing career, I've got my priorities. Hopefully, you'll still tune in.

And speaking of tuning in, Dan Roth (Angel, Brentalfloss, Buffyfest) has an awesome comics blog that you should check out if you have the time. We often have the same opinion about comics (except when he's wrong, obviously). He also buys a hell of a lot more comics than I do, so if you're looking for a book that I'm not covering, it's likely reviewed in his blog.

Now for something way, way cooler than reviewing comics. Here is a comic. It's written and drawn by Jae Korim (Neozoic), a fantastic artist that I am currently collaborating with on a comic called 70 x 7. Fans of indie comics should check out his new, fourteen page webcomic, Bloodkissing. It's really great, and I'm decently sure this dude is going to be a big name in comics very, very soon.

Read it here or click the picture below.

I just finished working on a script and an outline for an awesome artist whose name I won't say out of fear of jynxing it. But that is done, for now, and I'm able to do some quick coverage of the books you should be reading... and a few of the ones that you should avoid.

Buffy the Vampire Slayer: Season Nine #3

Freefall – Part Three

Written by Andrew Chambliss

Pencils by Georges Jeanty

Executive Producer: Joss Whedon

Dark Horse Comics

I've been rewatching Buffy the Vampire Slayer with my fiancee, who is a first time viewer. She's been an Angel fan, so she knows the 'verse, but it's amazing sitting with her as she goes through the big moments for the first time. Last night, Angelus murdered Jenny Calendar and a grief-stricken Giles sought revenge. So yeah, we're in the thick of some of the best that BtVS has to offer. So it's saying quite a bit that, when I read this comic, I feel like I'm watching the show. It has completely lost the "this is a comic, let's do big budget crazy things!" feel and we're back to the mode of storytelling that worked for seven years of amazing television.

In this issue, Buffy learns more about Severin (whose name makes me think Joss loved the Harry Potter books), who is the mysterious man behind the strange vampire murders. He has been sucking the life out of vampires, turning them into dead human bodies instead of dust. We're introduced to some new mythology with the creatures dubbed "Zompires" by Xander. These are what happens when vampires try to sire someone in a Buffyverse with no seed. Since there is no dimension from which demons can pass over to possess the newly vamped bodies, the shiny new vamps are feral and pretty damn ugly. Severin has apparently lost a girlfriend this way, and ever since he's been waging a one-man war to stop vampires who are still siring. It's interesting, and the way Buffy and her buddies deal with it is classic Scooby Gang stuff. However, it's worth mentioning that there is a harsh divide between Buffy and her friends. However, it isn't like the divide in Season Eight where they're all over the world. We still see them operating as one unit - it's just that this is a very dysfunctional unit.

There are great twists and turns along the way, but one of the highlights here is something that is always a highlight... and that's Spike. Chambliss does a wonderful job with this character, and there just absolutely needs to be a spin-off. Paging Brian Lynch...

Batgirl #3

A Breath of Broken Glass

Written by Gail Simone

Pencils by Ardian Syaf

DC Comics

I’ve been looking to drop books. While I’ve been enjoying this series a lot, I was honestly considering cutting the monthly series from my pull-list and picking it up in trade after the disappointing #2. Not anymore.

Despite the contrived villain Mirror, the story just works. And I know, I know, the villain's motives contribute to the theme as well as Barbara's personal issues, but I feel like it's all a bit obvious and spoonfed for it to really sing. However, the focus of this issue steers away from Mirror and centers on a confrontation/flirtation/fight/thing between Batgirl and Nightwing, who just have the best damn chemistry in the DCU. Their exchange is beautifully written, and shows that Gail Simone is one of the best at writing internal monologue that contributes to scenes instead of bogging them down. This is easily the best issue of the series.

Dollhouse: Epitaphs #5

Story by Andrew Chambliss, Jed Whedon, and Maurissa Tancharoen

Script by Andrew Chambliss

Pencils by Cliff Richards

Dark Horse

This series was... I'm not sure how to describe it. A few of the issues were really great, while the others didn't work at all. This is sort of in the middle, though slightly leaning toward the latter because of Cliff Richards' art which just doesn't work with the series. The writing isn't even close to the level of quality that Chambliss is hitting with Buffy, but those characters have a wealth of backstory so the series is, of course, richer. Nothing is really added to these characters, though. The end is pretty cool and sets up a promising story for whatever Dollhouse comics come next... but I'll be buying those in trade. There are a lot of stories left to tell in this universe - that much is clear. While these stories are likely worth reading, the hit/miss quality of this series makes it a risky buy as a monthly comic.

Action Comics #3

World Against Superman

Written by Grant Morrison

Pencils by Rags Morales and Gene Ha

DC Comics

Now this is just good stuff. Action Comics continues to be a fun read, which is some feat seeing as this issue focuses mostly on the devastating destruction of Krypton. The threat that decimated Superman's home planet seems to have come to Earth in some capacity, and while we know all is going to be well (I mean, Superman #1 takes place five years after this), Morrison manages to make the threat genuinely scary. $3.99 is a hefty price for this, seeing as the extras focus on the much less interesting Superman series, but the storytelling is up there with the best of the New 52, so if you have the extra bucks, give this book a shot.

Green Lantern #3

Sinestro – Part Three

Written by Geoff Johns

Pencils by Doug Mahnke

DC Comics

Geoff John's Green Lantern #3 keeps up the trend of solid DC books. This is an improvement over the already solid #1 and #2 because the space drama is done better than the human drama, and that’s showcased here. Sinestro is fascinating, and it's easy to sympathize with him, laugh with him, and hate him. Hal is typically douchey, but not nearly as irritating as he is in Justice League. I want the Secret Origin Hal that I root for because I empathize with his history and motivation, and I hope (and think) Johns will get him to that point. For now, though, Sinestro is holding my interest captive. While this book offers a much needed break from the uber-decompressed Geoff Johns we’ve been getting, there are still small moments like Sinestro bursting into laughter when Hal says “Don’t think you’re better than me” that enhance this story.

Oh, and... I won't give much away, but the twist is one of the best cliffhangers of the year. It's one of those shocking "how the hell do we fix this?" moments that I know will likely be fixed within the first few pages of #4, but damn - way to get the reader hooked.

Batman and Robin #3

Knightmoves

Written by Peter J. Tomasi

Pencils by Patrick Gleason

DC Comics

This series has a slow boil, and I like that. The relationship between Damian and Bruce is increasingly complicated and thus increasingly interesting. There's some great Alfred stuff, and I like the fact that the villain is sort of the embodiment of the "why let villains live?" logic that has been shooting around the superhero books - especially Batman's comics, which have the most fucked up villains - for years now. It's interesting drama, and makes this the second best of the many Batman books in the relaunch. While you won't get the thematically driven, complex narrative of Scott Snyder's Batman series, this is a quiet, emotional and cerebral book that satisfies while whetting the readers' appetites for next month.

Detective Comics #3

Cold Blood

Written and drawn by Tony S. Daniel

DC Comics

While it isn’t as enjoyable as Batman and Robin or as complex as Batman, Detective is – at the very least – a lot better than it was last month. Now that's not saying much, I know, but seeing as this title is so iconic... it's worth picking up. For now. It’s creepy and… well, detectivey. Watching Batman solve the case is the most interesting bit; when DC has got Batman going up against silly villains like Two Face Who Is Now "One Face" For Some Reason in other books, this comic serves as a reminder that Bruce Wayne is the best detective in the fucking world. The comic has a cool and strange end, which is a hell of a lot more interesting than the disturbing cliffhangers Tony S. Daniel usually loves so much. It's not great, it's just... pretty good.

Static Shock #3

Turnabout

Written by Scott McDaniel and John Rosum

Pencils by Scott McDaniel

DC Comics

Annnnd now I'm sad. I enjoyed the first one so much - hell, it was one of the best of the New 52. The second issue, however, just wasn’t good. After this third installment, I'm dropping it. Dialogue is stilted, the characters are annoying, the "my sister has a copy, which is which!?" plot is boring, and the group of Tron-esque villains trying to snuff Static aren't at all engaging. I can't believe this book quickly went from the top of my pull list to something that I wanted to stop reading a few pages into the issue.

Batwing #3

We Have Blood on Our Hands

Written by Judd Winick

Art by Ben Oliver

DC Comics

I thought long and hard about this book, but I'm going to drop it as well. The second issue was really good, and this month's installment was mostly fine. The story was mostly just a big fight, and while the history of these characters is very interesting, it’s not enough to keep me coming back on a month-to-month basis. I'll certainly read this in trade, but I just don't have the cash to invest in books that don't give me that can't-wait-to-read-it feeling.

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Thanks for reading, thanks for your patience, and thanks for checking out Jae's comic. Pretty badass, no?

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NEXT WEEK: Batman #3, Birds of Prey #3, Ghostbusters #3, Justice League #3, Nightwing #3, Supergirl #3.

ANGEL AND FAITH #3 review, CLOAK AND DAGGER SPIDER ISLAND #3 review, CASPER'S SCARE SCHOOL #1 review, TMNT #3 review

Comic Book Wednesday

Issue #24

(Part One)

Looks like we're back on track this week. I'm in between biiiig projects (information soonish!), so I had a little while to do a good ol' Comic Book Wednesday review. This first part includes reviews of Angel & Faith, Cloak & Dagger: Spider Island, Casper's Scare School, and Teenage Mutant Ninja Turtles. First, though, here's something super cool. I also bought a bunch of Zenescope books (I don't review those because, as I'm writing for those kind folks, I'm not the most unbiased of sources) and I was flipping through the Grimm Fairy Tales: Halloween Special 2011 (click here to order - see, I told you). In the back, there's a full page ad for my upcoming issue of the series. Check it out:

Definitely made my day. For those who would like to order the issue now (please, he said with a hopeful smile), you can follow these links:

Cover B (pictured above): click

Cover A (art by one Mr. Mike Debalfo): click

Now that that shameless bit of self-promotion/sharing of coolness is over, let's get to the reviews.

Angel & Faith #3

Live Through This - Part Three

Written by Christos Gage

Art by Rebekah Isaacs

Dark Horse Comics

As with many third acts, this is very much setting up the pieces for the conclusion. Christos Gage continues the story nicely, leaving the readers with that "What happens now?" feeling at the end of the issue. This chapter is very Faith-centric, as the eponymous slayer keeps holding more and more things back from Angel as he pushes forward in his misguided journey to resurrect Giles. There's a brief scene with Nadira, who is never as interesting a presence as Angel and Faith, but what the scene does is play on the idea that Faith has become the responsible slayer - or, as she's referred to here, "the grownup." It's both funny and intriguing in its delivery, because while Faith takes offense at the implication that she's old, she can't help but wonder "who went and made me responsible all of a sudden?"

A colleague of Giles, who was a great little guest star, replies, "Why, my dear girl... you did."

The final scene is just great. Isaacs' art has never been better, and there's a great moment between Angel and a Mohra demon that I'm not going to spoil - read the thing for yourself.

All in all, great issue. It's especially cool, because I met Rebekah Isaacs at NYCC, and she was just a lovely human being. She gave me an issue of her creator owned series, MAGNUS, which was just great. I hope to do a spotlight on that issue soon, because it's definitely something fans of ANGEL & FAITH should seek out.

Cloak and Dagger: Spider Island #3

Written by Nick Spencer

Pencils by Emma Rios

DC Comics

Nick Spencer can do no wrong.

I love the last two issues of this series, and this conclusion is no different. This book brings the storyline (Mr. Negative has discovered that Dagger will kill him, so he decides to fuck with her) to an amazing conclusion, changes the central characters in a big way (note the italics), and sets up many plot threads for future issues... which seems to indicate that Nick Spencer and Emma Rios want to make this an on-going series (pleasepleaseplease). This issue is emotional, beautifully drawn, fast paced, and smart. The whole thing reads like the best of Gaiman's SANDMAN with a bit less metatextual commentary.

Incredible conclusion to an incredible story. I'd urge readers to check out the letter section in the back, because Marvel is well aware that fans want more of the Spencer/Rios team on CLOAK & DAGGER, but they're unsure if the series could survive in the current market. Here's what you do: go out and order these issues if you haven't already read them. Then, when the TPB comes out, buy that too - and keep sending those letters in to Marvel. It's comics like these that keeps the superhero genre fresh, alive, and inventive.

Casper's Scare School #1

Halloween is for the Dogs

Written by Paul Morrissey

Art by Sabrina Alberghetti

The New Kid

Written by Landry Walker

Art by Amy Mebberson

APE Entertainment

I bought this issue to see how the series turned out. I pitched stories for this book to APE a while ago, and unfortunately didn't get in. However, I did leave the experience with an appreciation for this new take on Casper. The movie and show are great fun, and the comics manage to translate the energy of the animation to paper quite well. The main story, Halloween is for the Dogs, is fun and sometimes clever, and the back-up story (the four page long The New Kid) is just great.

The best thing about this book, though, is how fantastic the art in Halloween is. The colors jump off the page, the characters look better than they do in the actual cartoon, and the storytelling is super kinetic. If you have a kid that you're trying to get into comics or read, this is a great book for that. It also includes two classic Casper stories that are great fun.

Teenage Mutant Ninja Turtles #3

Story by Kevin Eastman & Tom Waltz

Script by Tom Waltz

Art by Dan Duncan

IDW Publishing

Eastman and Waltz keep on bringing the awesome with this series. Most of the issue focuses on Raph and Casey Jones, the latter of whom is an absolute badass in his hockey mask. It's obvious (and essential) that Raphael is going to end up with the other turtles, but the scenes with these two fighting crime here makes me was a spin-off... badly. The history of the turtles continues to build through the flashbacks, and while most of what is revealed here was apparent from the last issue, the scene is still very, very cool - especially when we see Splinter and the turtles realize that they have mutated.

Dan Duncan and Tom Waltz do a great job of making sure the readers know which turtles we're seeing (this version of the turtles is similar to the original comics in that the masks are all red, unlike the cartoon which has a different color for each turtle). The names are often thrown into conversation by Waltz, but in the cases that there are no names to go off of, Duncan makes sure that the turtle's signature weapon is in plain sight.

Again, another great issue. So glad that IDW is allowing me to relive my childhood through these comics - and hey, while nostalgia is great, it doesn't hurt that this is a fantastic story with beautiful art.

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Now... I see your raised eyebrow. It's all sorts of raised and eyebrow-like. I totally skimped on the second part of the reviews last week. To make up for it, here's a brief run down of the issues I missed.

Wonder Woman (Azzarello/Chiang): Very good. Better than the first issue, which is saying something. I never thought I'd be very interested in a Wonder Woman story, but this tale of creepy gods and mysterious origins is quite a surprise - and a welcome one at that.

Birds of Prey (Swierczynski/Saiz): I really wanted to collect this series in trade instead of singles... but damn. It's just too much fun. Starling is a great character (very Faith-esque, actually), and the story just gets more and more interesting as all the members of this team assemble. And with the introduction of Poison Ivy (WHAT) into the squad, I'm not sure that I'll be able to resist the third installment.

DC UNIVERSE PRESENTS: Deadman (Jenkins/Chang): This is a well-told, intriguing story that feels very different from all of the other DC books - so much so that it almost seems as if it's set in a different world. The vampires and demon bars are straight out of Angel, and it's great to see more aspects of the DCU getting explored. The philosophical/existential tone of this series is interesting, and it's making me enjoy a book I was initially skeptical of.

SOON: Reviews of Justice League Dark, Aquaman, The Flash, Superman, and The Savage Hawkman.

Buffy the Vampire Slayer Season Nine #2 review

Comic Book Wednesday

Issue #22

Written on Wednesday night - the eve of NYCC.

Prepping for New York Comic Con is rough. I’m not sure when the rest of the reviews will be up, but I had to get this one in, because I’ve been dying to read this issue since the first one came out.

Buffy the Vampire Slayer: Season Nine #2

Freefall - Part Two

Written by Andrew Chambliss

Pencils by Georges Jeanty

Dark Horse Comics

After one Jossy issue, Andrew Chambliss of Dollhouse and The Vampire Diaries fame takes the writerly reigns. The transition is seamless, ‘cause this dude can write – in every sense of the word. He continues the story in an incredibly interesting way, the voices are spot on and utterly Whedonesque, and it reads well as a comic. I think, after the enjoyable but rocky Season Eight, the BtVS team has figured out how to stay as true to the tone of the television series as possible in this medium.

A lot happens in this issue. There is a quick bit with the Student Loan Demon that is funny as hell, but on a somewhat larger scale the scene is indicative of what’s going on in the larger story. This demon was cut off from his home, much like Willow was cut off from magic, and has resorted to taking on a day (well, night) job to pay his way in this unfamiliar dimension. Another point is made that Buffy and Spike—really, slayers and vampires—have magic, yes, but their powers come from within… so they are in a strange place where they get to keep their “special” quality in a world that’s lost it’s soul. This seems to be building some nice tension (between Buffy and Willow and really between Buffy and herself, because she ponders about how a normal life would be if slayers had lost their powers and if vampires ceased to exist. That thought leads to a wonderful moment between Buffy and Spike:

SPIKE: For starters, I’d be dead. And you wouldn’t be nearly as much fun.

BUFFY: Fun is overrated. But I’d probably miss you.

SPIKE: Bloody hell you would.

Also, there’s something building between Xander and Dawn. Something normal-people-like, which I so missed last season. Spike is investigating something for Buffy. There’s an investigation going on. Buffy is (already) a fugitive. Annnnd there’s a new character in town… and he’s got some pretty nifty powers that seem to pose an answer to Buffy’s “I want to be normal” crisis. But, of course, things are going to get complicated, because this is, after all, Buffy the Vampire Slayer.

Steve Morris's sketch for the cover

And that feels good to say. Season Nine is very much Buffy the Vampire Slayer. More than any comic with than name has ever been. So big, big kudos to the team for getting this series and the characters right. It’s damn awesome.

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Until next time, see ya when I see ya!